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Repetitions (Letters to Krzysztof Komeda)

Repetitions (Letters to Krzysztof Komeda)
· 2x180g Vinyl
· Deluxe Gatefold
· 10" Booklet

Includes unlimited streaming of Repetitions (Letters to Krzysztof Komeda) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 16-bit/44.1kHz.
The growth in popularity of jazz music in recent years has been described as a renaissance or new chapter for the genre. Attracting new audiences has seen a growth in acclaim for international artists including Kamasi Washington & The West Coast Get Down collective or BadBadNotGood. This resurgence has also been felt within british jazz scene. Musicians such as Yussef Kamaal, Shabaka Hutchings, Ruby Rushton, Nubya Garcia or Moses Boyd have put a new stamp on jazz music by fusing elements of classic jazz with modern sounds. Polish septet, EABS applies a similar philosophy to their music, blending traditional Polish Jazz with sounds from other genres, thus creating a new and personal interpretation of modern jazz.

EABS debut album entitled “Repetitions (Letters To Krzysztof Komeda)” is a dedication to Polish Jazz legend Krzysztof Komeda. This album is an analysis of conscientiously selected compositions by Komeda between 1962-1967. EABS explores some of Komeda’s lesser-known compositions featured in ballet etudes, movies, short films, documentaries, animations and compositions illustrating Polish poems recited in German.

Carefully chosen compositions, the background of the movies for which the music had been written and Marek Pędziwiatr’s lyrics all add up to “Repetitions” being some kind of a concept album about the condition of the human soul in the 21st century. The questions one may ask might be similar to those which could have been asked by the artists witnessing post-war debris: will history come full circle? Lack of knowledge, flourishing idiocracy, aggression, aiming for conflicts, shortage of community spirit and love may lead to another doomsday. Perhaps we simply aren’t able to see the impending doom now… Just like in a poem by Czesław Miłosz, “A Song on the End of the World”, to which Krzysztof Komeda wrote “Waltzing Beyond”.

EABS have created their unique compositions by employing an approach exercising the idea of “reconstruction from deconstruction” where sampling and looping are merged with jazz improvisations. The injection of hip-hop, jungle, funk, gospel and electronic music add a futuristic tone to the tracks. However EABS have made a conscious decision to ensure their nod to Komeda enables the spirit of the Polish Jazz to remain alive. Michal Urbaniak another Polish Jazz legend is the only guest on the album. His violin can be heard on the track “Free Witch And No Bra Queen/ Sult”.

EABS is the innovative approach to jazz through the prism of hip-hop vibe, vibe which brought up these musicians. They blend elements of soul, funk, hip-hop or electro keeping up with fresh approach to composition. What is more, EABS seeks to breathe fire into jazz bringing back its former glory ignoring clichés, exploring and experimenting.

Found tracks

EABS - Knowledge (Introdukcja do Etiudy Baletowej)
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EABS - Perły i Dukaty XIV / Repetition
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EABS - Private Conversation VIII
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EABS - Niekochana
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EABS - Pingwin VI
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EABS - Free Witch and No Bra Queen / Sult ft. Michał Urbaniak
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EABS - God is Love (Bariera XIII)
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EABS - Step Into the Light (Wiklinowy Kosz)
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EABS - Waltzing Beyond (The Song on the Day the World Ends)
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