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On the forthcoming album, BABii flexes her Björk-level aptitude and penchant for deep world building as she enters something akin to Dante’s Inferno, exploring the origins of violence and criminality and how hell relates to the real world. Each song corresponds to a separate sin and comes with a villainous criminal attached. These include hooligans, gargoyles, goblins, and a Trash Spirit Clown named Tito Von Bricabrac. All existing in the fantastical Nevaworld, a futuristic hellscape that the album exists in. Through this creative exercise, BABii asks challenging questions about what pushes people to transgress while also exploring her personal relationships with those who society deems unwanted or unacceptable.

In the past few years BABii has radically changed the way she writes her captivating, boundary-pushing songs. Daredevil 2000 is a continuation of the vulnerable and conceptual writing style she began with 2022 collaborative mixtape Screamer, a journey that has cemented her as one of future-pop’s most exciting artists to keep an eye on in 2024.

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